ALALGURA I, 1990
EMILY KAME KNGWARREYE
synthetic polymer paint on linen
147.5 x 122.0 cm
inscribed verso: artist's name and Delmore Gallery cat. 0O05
Delmore Gallery, Alice Springs
Gallery Gabrielle Pizzi Melbourne
Private collection, United States of America
Sotheby's, Melbourne, 9 July 2001, lot 86
Private collection, United States of America
Private collection, Melbourne
Emily Kngwarreye, Gallery Gabrielle Pizzi, Melbourne, 1991
See Isaacs, J., Smith, T., Ryan, J., Holt, D., and Holt, J., Emily Kame Kngwarreye Paintings, Craftsman House, Sydney, 1998, p. 48, pl. 5, for two related and acclaimed examples constructed of the same palette and exhibiting close stylistic similarities; and Neale, M., Emily Kame Kngwarreye: Alhalkere: Paintings from Utopia, Macmillan publishers, Melbourne, p. 84, pl. 51, cat. 35
This work is accompanied by a certificate of authenticity from Delmore Gallery which states: 'This is Emu Country called Alalgura. The man Emu's role is to look after emu chicks and keep them in sight of their home and not beyond their preferred seeds and fruits. These foods include the Indoorkwa a small purple plum and the Anooralya a long thin yam. The latter is represented here by the strident figurative strokes outlining the underground growth pattern of the yam and the consequent track of the emu as it moves across the landscape grazing. Emily dwells on bush tucker gathering in happy and abundant times of a good rain season. It is often an important and historical ceremony that is triggered by the nature and/or timing of the season that provokes her memory and lasting emotions. She also believes that through ceremony (Awelye) and her belief in the power of the desert season and consequent crop of bush tucker. Her custodial responsibility is for the preferred food of the emu.'