BODY MARKS, 2002
PRINCE OF WALES (MIDPUL)
synthetic polymer paint on canvas
120.0 x 135.0 cm
Commissioned by Karen Brown Gallery, Darwin (cat. KB1125)
Private collection, Adelaide, acquired from the above
Renowned for his unique interpretations of body decorations and markings used in the ceremonial activities of the Larrakia people, Prince of Wales (Midpul) drew inspiration from these traditional activities for the imagery in his contemporary paintings. Born Midpul at Kah’lin (Cullen) Beach, Darwin in 1935, Prince grew up at Belyuen (Dellisaville), a small community on the far side of Darwin Harbour. He was the son of acknowledged Larrakia leader and traditional landowner Imabul (Old King George) and known as Prince of Wales. A custodian and leader of Larrakia ceremonies and dances, a leading didgeridoo player and ceremonial body painter for much of his life, Prince started painting in 1995 – initially on discarded pieces of wood and cardboard – and participated in his first exhibition the following year.
‘In taking up painting in 1995, Prince found a medium through which he could retain the essence of his active ceremonial life. His paintings have a musicality imparted by the lively staccato effect of the dots and intermittent bars, as if to read like sheet music for an improvised symphony. Prince’s uninhibited use of colour belies the origins of these designs which were passed on by his ancestors as marks on the bodies of ceremonial participants.’1
Executed on a unique teal blue ground, Body marks, 2002 reinforces the ceremonial body decorations that Prince of Wales wanted to preserve in his painting. Alternate lighter blue and deep marine blue dots of the body marks surround, and are contained within, a soft purple frame that together creates a rhythmic energy within the work. These markings evoke the patterns Prince would have originally painted onto the bodies of his clansmen prior to a ceremonial dance, but here they are transferred as a permanent record for posterity. The work was painted in the final year of his life and as curator Hetti Perkins notes ‘In his last years, Prince ‘upped the ante’, scaling up his Body marks paintings to assert his cultural authority as a Larrakia elder.’2 ‘These paintings... I paint them on bodies... young people and old... ceremony for singing... dance... I make the marks.’3
Prince held his first solo show in Melbourne in 1997 at Gallery Gabrielle Pizzi, and in 2001, he won the painting sections of the Telstra National Aboriginal and Torres Strait Islander Art Award. Prince delighted in the whole process of painting, creating modern minimalist artworks characterised by simple geometric forms floating above a sparse ground with dotting to emphasise the forms.
1. Perkins, H., Tradition Today; Indigenous Art in Australia, Art Gallery of New South Wales, Sydney, 2004, p. 166
2. ibid.
3. Prince of Wales, cited in ‘Notes on Prince of Wales and the Gwalwa Daraniki Land Movement’, kindly provided by the late Grant Smith of Gallery Gabrielle Pizzi in 2010.
CRISPIN GUTTERIDGE