NAGASAKI, 2010

Important Australian Fine Art + International Art
Melbourne
27 November 2019
30

TIFFANY CHUNG

born 1969, Vietnamese
NAGASAKI, 2010

embroidery, beads, metal grommets and buttons on canvas

111.0 x 84.0 cm

Estimate: 
$20,000 – 30,000
Provenance

Tyler Rollins Fine Art, New York
The Mainland Collection, Melbourne, acquired from the above in 2012

Exhibited

Tiffany Chung: Scratching the walls of memory, Tyler Rollins Fine Art, New York, 4 November 2010 – 8 January 2011 (illus. in exhibition catalogue)
2013 California-Pacific Triennial, Orange County Museum of Art, California, 30 June – 17 November 2013 (illus. in exhibition catalogue, p. 200)

Catalogue text

Tiffany Chung lives and works between Houston, USA and Ho Chi Minh City, Vietnam

SELECTED EXHIBITIONS
2019 Tiffany Chung: Vietnam, Past Is Prologue, Smithsonian American Art Museum, Washington, D.C., USA
2018 Tiffany Chung - Thu Thiem: An Archaeological Project for Future Remembrance, Johann Jacobs Museum, Zurich, Switzerland
2018 Imagined Borders, 12th Gwangju Biennale, Asia Culture Center, Gwangju, South Korea
2018 Superposition: Equilibrium and Engagement, 21st Biennale of Sydney, Sydney
2018 Nothing Stable Under Heaven, San Francisco Museum of Modern Art, San Francisco, California, USA
2017 SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now, Mori Art Museum, Tokyo, Japan
2016 Insecurities: Tracing Displacement and Shelter, Museum of Modern Art, New York, USA
2016 Migration Politics: Three CAMP exhibitions at the SMK, Statens Museum for Kunst/National Gallery of Denmark. Copenhagen, Denmark
2015 From The Mountains To The Valleys, From The Deserts To The Seas: Journeys of Historical Uncertainty, Center for Art on Migration Politics, Copenhagen, Denmark
2015 All the World’s Futures, 56th International Art Exhibition of the Venice Biennale, Venice, Italy
2014 My Voice Would Reach You, Museum of Fine Arts, Houston, Texas, USA
2012 Six Lines of Flight, San Francisco Museum of Art, San Francisco, California, USA
2012 The 7th Asia Pacific Triennial of Contemporary Art (APT7), Queensland Art Gallery & Gallery of Modern Art, Brisbane
2012 Panorama: Recent Art from Contemporary Asia, Singapore Art Museum, Singapore

SELECTED LITERATURE
Tiffany Chung: Vietnam, Past is Prologue, exhibition catalogue, Smithsonian American Art Museum, Washington, DC, 2019
Sano, M., ‘TIFFANY CHUNG: Excavating and Remapping Erased Histories: An Artistic Practice on Protesting Against Historical Amnesia’, Asia Center Japan Foundation online, February 16 2017
‘Tiffany Chung on Brilliant Ideas’, documentary series, Bloomberg Television, November 2016
Maniglier, A., ‘Tiffany Chung | Mapping Crisis Through Memory’, HAPPENING, 28 October 2016
Tsai, S., ‘To Be Remembered’, ArtAsiaPacific, Hong Kong, Issue 100, September/October 2016
Gardner, C., ‘Probeheads of Resistance and The Heterotopic Mirror: Tiffany Chung and Dinh Q. Les Stratigraphic Cartographies’ in Hickey-Moody, A., and Page, T., (eds), Arts, Pedagogy and Cultural Resistance New Materialism, London: Rowman & Littlefield International, UK, 2016
Tiffany Chung, Tyler Rollins Fine Art, New York, 2015

SELECTED COLLECTIONS
AK Wien Kultur, Vienna, Austria
Albright-Knox Art Gallery, Buffalo, New York, USA
Faurschou Foundation, Copenhagen, Denmark
Ford Foundation, New York, USA
Fukuoka Asian Art Museum, Fukuoka, Japan
Herbert F. Johnson Art Museum, Cornell University, Ithaca, New York, USA
Orange County Museum of Art, Newport Beach, California, USA
Louisiana Museum of Modern Art, Humlebæk, Denmark
M+ Museum, Hong Kong
Minneapolis Institute of Art, Minneapolis, USA
Queensland Art Gallery, Brisbane, Australia
Royal Melbourne Institute of Technology, Ho Chi Minh City, Vietnam
San Francisco Museum of Modern Art, San Francisco, California, USA
Sharjah Art Foundation, Sharjah, United Arab Emirates
Singapore Art Museum, Singapore
Smith College Museum of Art, Northampton, Massachusetts, USA

REPRESENTED BY
Galerie Quynh, Ho Chi Minh City, Vietnam
Tyler Rollins Fine Art, New York